Testing 1212
The glossary of terms for sound engineers: home  A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

 

General Tips

  Your equipment is expensive...so look after it.  There are many times that a good case has saved our equipment.  Also, buy good system cases like SKB and your get-in and get-out can halve in time.  And don't forget: good cases will last longer than the equipment.

  Always, always neatly coil cables at the end of a gig.  This will preserve the life of your cables and save you time at your next gig.  I never knot the coiled cables (this can damage them) I use insulating tape.

  Just because you are the sound engineer for your band it doesn't mean that everyone else can sit and watch you.  Get a system going so that other members of the band have a role after they have sorted out their gear.

  Never leave cables loose where people are walking.  Never mind the caught lead that will get pulled out when you are not looking...check your insurance policy for 3rd party injuries.  Also, remember that a girls stiletto can have a down force of around a ton...think what that's going to do to an xlr lead.

  Adjust your overall volume levels to the venue and size of the crowd.  Loudest is rarely best, for one thing it leaves you nowhere to go and is almost definitely going to distort.  If you are having problems hearing the vocals clearly why not consider turning everything else down?

  What essentials should you carry in your tool box.  Mine includes the following: Gaffa tape, insulating tape, Leatherman knife, torch, headphones, fuses, spare mic stand heads, soldering iron, spare DI boxes, MDs and CDs for set-up and interval music, spare bolts to secure stands.  

Contributions from around the world

  I have recently started using re-sealable bags to put all my cables in.  It works great.  It makes set-up and takedown town so much faster because there are never cords that are tangled together. - from David Bradshaw


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Testing 1212
The sound website for sound people
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